Six Pieds sous Terre _ Pilot Season 1 Ep 1 full Online streaming

Six Feet Under _ Pilot Season 1 Ep 1 full Online streaming

KEYWORD: #sibling_relationship #gay #widow #dark_comedy #death_of_father #dysfunctional_family #family_drama #los_angeles #family #death #funeral_home #life

GENRE: Drama

RELEASE: 2001-06-03

SYNOPSIS: Nathaniel Fisher, Sr. 1943-2000 Meet the Fisher family. After the patriarch of the family, dies in a hearse-accident, the family comes together to mourn and decide the fate of the family Funeral Home. Nate, who works for an organic grocery store in Seattle, has to deal with more than just the death of his father. His mother, Ruth, is taking the death especially hard because she had been having an affair with her hairdresser, Hiram. David, the closeted homosexual who has helped with the business, has a difficult transition running things. Claire, the youngest of the clan, is a teenager in high-school trying to get comfortable in her own skin. On top of everything the family is already going through, they have a corporate funeral company hounding them to sell out.

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CAST: Peter Krause, Michael C. Hall, Frances Conroy, Lauren Ambrose, Freddy Rodríguez, Mathew St. Patrick, Rachel Griffiths, Dina Spybey-Waters, Dennis Lau, Eric Balfour, Jeremy Sisto, Richard Jenkins

Six Feet Under _ Pilot Season 1 Ep 1 English Film

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Alan Ball`s Peabody-winning seriocomic five-season saga is about a family with a particular blessing in disguise. Three siblings have spent their childhoods growing up with death ceaselessly in their home. And as a part of the business of death, they are on the receiving end of the grief and shock of murders, diseases, accidents and old age suffered by the loved ones of complete strangers (mostly). Each episode, save a baby`s handful of significant ones, opens with the death of any given person, caused by anything from gang shootings or heart attack to too much LSD, and that death generally sets the pitch for its episode, pressing the characters to consider their present fortunes and hardships in a manner that is clarified by the death and its aftermath. Their customers` loved ones sprawled out in their birthday suits in the basement, which for decades has never had a break from the presence of lifeless rotting corpses with which the Fishers and their frustrated reconstructionist Rico become intimately acquainted during the exhuming process. This is the last environment in which most people---really, all people like Nathaniel Fisher, Sr.`s wife and children---would ever want to live their lives. However, they learn more about the realities of the world`s two biggest fears, life and death, than the rest of us will ever confront. How does your old friend from high school run over himself? How does one deal with never knowing how and why your husband, wife, daughter, son, mother, father died so suddenly? The situations, circumstances, philosophies and moral dilemmas are endless. The catch-22 is that even though the Fishers and those close to them are reasonably wiser, they are not all necessarily stronger. Some become more reticent, or more resigned, or face more and more demons, or they cannot seem to do anything that doesn`t feel like a waste of their time to exist. To a significant degree, the show is a square family drama, taking in hand such concerns as relationships, betrayal, and religion. In chorus, it is a show characterized by its unwavering spotlight on the upsetting matter of death. This notably Bergmanesque melodrama also has a pungent dose of black comedy, the element of surprise, unexpected juxtapositions and non- sequiturs. Time and again watching the show, one is shocked by its admirable run on the American air. US audiences don`t tend to seek out shows in their free time about their worst fears, dealt with in heavy symbolic and cerebral ways and wracking you with longing, rage and tears. But the show is one of the healthiest, most cathartic things you could do in front of the television set. It makes you accept death. It causes you to reflect on the pros and cons of one`s own situation just as the Fishers do every day. I, for one, am frequently bothered by the ambivalence of purpose to existence as a whole, and, while many would much rather escape into the worlds of Monk, Bones, Psych and other fluffy shows, I feel comforted by the likeminded company of these self-reflexive characters and their journeys through fatalism, existentialism, epiphany, joy and pain, especially when they do not belong to a commonly sensationalized world like crime or policework or sports. Rather, they are what many TV viewers I know would find repellant as characters to face each week. And these characters know this. There is not only a lot of tremendous talent but tremendous wisdom at work in this show, from the cast of both actors I already knew, like Rachel Griffiths, Freddy Rodriguez, James Cromwell, Patricia Clarkson and Kathy Bates, and remarkable actors I was just discovering, like Peter Krause, Michael C. Hall, Lauren Ambrose, Frances Conroy and Matthew St. Patrick, to the out-of-the-box master writers, Nancy Oliver and the show`s Oscar-winning creator Ball. There are times when this show seems to drag, as surreal and genre-bending as it relentlessly is. Griffiths seems to always be having sex with someone. Lauren Ambrose indulges every narcissistic or pretentious pitfall of her, and my, generation. No one can seem to escape tactless, unpredictable pain and pain never seems to escape anyone`s addicted control. Just know that if you persist till the show`s finale, you will find its rewards owed no more than a handful of superlatives that do justice.

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